For those Drama and Theatre teachers who teach near The Drama Teacher’s base, this post is to inform you of recent changes at your state Drama teachers’ association, Drama Victoria:

  • our 2008 and 2009 Director of Programs (Education Officer) will be on maternity leave for 2010
  • our newly appointed 2010 Director of Programs has now left the association for employment elsewhere
  • a new Director of Programs has been appointed to replace our original Director of Programs
  • there are several new members on the 2010 Committee of Management, elected at our recent AGM on 13 March
  • there are several new Executive members, elected at our recent committee meeting on 18 March
  • the newly elected President is actually the original 2010 Director of Programs

Hope this isn’t too confusing!

All Drama Victoria members (individuals, institutions, schools etc) on Drama Victoria’s email list should have received a recent email detailing who everyone is in the various positions listed above.

After three years as President of Drama Victoria, and the past eight years on the Drama Victoria Executive, I have decided to step down into a non-Executive role on the Drama Victoria Committee for 2010.

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Well, most of this blog is about information and resources for effective Drama teaching, but I thought I’d post a few tips on how to ensure your students achieve beyond the expectations of everyone.

Learning Must Be Fun: Let’s face it, school isn’t exactly a bundle of laughs for many teenagers, so on the top of my priority list for effective Drama teaching is make sure as many of your lessons and activities as possible are fun for your students. While you’re at it, remind yourself that if you don’t make learning fun, you’ve lost half the class … instantly. I even take a risk and tell my students at the start of a course that one of my responsibilities is to ensure their learning in Drama will be fun for them and that they are encouraged to tell me whenever the fun has stopped!

Keep Your Students Engaged: I never stop asking my students what they’re into, no matter what year level. While my enquiries are genuine, it also enables me to stay young and by knowing what’s cool at the moment, I can always use this to my advantage to adapt a future exercise, drama game or activity, so my students remain engaged in Drama. These enquiries allow me to tailor ensemble performance topics to their interests etc. Being critical of your own teaching has its advantages, too. Mix it up a little and never get stale with your delivery, so your students keep engaged.

Know Your Students Well: I always make an effort to get to know my students, ask what bands their into, genres of music, films etc. Particularly if they are senior students. Always keep professional boundaries very clear. Never try to win students over by pretending to be their friend. You’re their teacher. But good teachers care for their students beyond the textbook and the classroom.

Set Clear Guidelines and Expectations: I set my expectations in the very first lesson of a Drama course, to avoid any confusion later on. I’ve blogged on The Drama Teacher before, that I will not accept laziness and lying (to the teacher) in my classroom. I make no apologies for it. I set my student expectations high at the beginning and spend most of my Drama courses encouraging (daring?) my students to see what they are capable of in Drama.

Ensure Everyone Respects Each other. Every Drama course I teach, at any level, begins with an agreement that my students firstly respect themselves, secondly respect other students in the class and thirdly respect me as their teacher. In return I tell them I will respect them all by default each time they enter my classroom. I ask students to respect why other students have elected to do this Drama course and to respect those that are less confident than themselves. This results in a warm atmosphere where less confident or able students are more prepared to take risks in performance work before their peers. I cannot emphasise enough the importance of respect in the Drama classroom.

Know Your Content. You can’t be a whiz in Drama teaching overnight. It takes time. Although I have blogged here before that in my opinion knowledge is not necessarily king in the Drama classroom, knowing your content certainly can’t go astray. Once you have gained much knowledge, two more things become important: firstly, remember we never stop learning and secondly, never be afraid to learn from a student. It empowers them and they respect you more as a teacher in return. Never pretend to know all the answers in front of your students.

90% Perspiration and 10% Inspiration. I’m sure many of you may have heard of this old adage. It’s true in Drama teaching, too. The most creative students you’ve ever seen in a Drama classroom will be useless if they are not prepared to put in the hard yards. I remind my students all the time, they have to be prepared to perspire if they want to achieve their own personal goals in Drama.

Keep Ownership with Your Students. When a school play or musical is a huge success, when an in-class Drama performance was fantastic, when your students performed beyond their wildest dreams … always keep the ownership with them, not you. While it may be true that you directed the musical, guided them in their class performance, or helped them every second step of the way, I always try to remind my students that the wonderful product they created belongs to them. This is when they smile and become very proud, but more importantly, realise what they are truly capable of in Drama. Encouragement and positive feedback will always return far bigger dividends than you ever expected in a discipline such as Drama.

Whether it is an A+ or a C, there’s nothing more satisfying than a Drama student being rewarded with a grade beyond what they believed they were capable of. Using these tips, above, has worked wonders for me over the years. I hope they work for you, too.

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A quick plug to interested Drama/Theatre teachers across Australia and beyond, for the 2009 Drama Australia Conference to be held at The University of Melbourne, 26-28 November

The last time Drama Victoria hosted our national Drama conference was in 2001, so it will once again be several years before Melburnians can be a part of such a great professional learning opportunity.

Added bonuses of a national Drama teachers’ conference include:

  • more academic papers
  • top quality keynote speakers
  • workshop presenters from interstate
  • enhanced evening events (theatre shows etc)
  • additional university lecturer presentations and papers from various states of Australia
  • the chance to mingle with colleagues teaching a different Drama/Theatre curriculum to your own
  • great trade displays offering everything from stage lighting to masks and make-up

dramaaustconf

We have presenters coming from all corners of the country and New Zealand, as well. It is not too late to register for a full or part registration of this three-day event.

The conference keynote speakers all have a theatre/performance background and are employing it in their current work. They will be speaking on a variety of topics including indigenous Australian drama, sustainable theatre on and off the stage, and the role of drama in Australian youth and their views on the future. There will also be one keynote address that will be part performance-based.

  • Michael Kantor: former Artistic Director of Malthouse Theatre
  • Stefo Nantsous: founder Zeal Theatre
  • Dr Helen Cahill: Deputy Director of the Youth Research Centre, University of Melbourne
  • Dr Maryrose Casey: Lecturer, Monash University

Academic program overview and registration details.

Justin Cash

President, Drama Victoria.

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