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	<title>Comments on: Long Day&#8217;s Journey Into Night Review</title>
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	<description>Resources For Those Who Love Teaching Drama</description>
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		<title>By: Rasma Haidri</title>
		<link>http://www.thedramateacher.com/long-days-journey-into-night-review/comment-page-1/#comment-29142</link>
		<dc:creator>Rasma Haidri</dc:creator>
		<pubDate>Sun, 31 Oct 2010 15:21:05 +0000</pubDate>
		<guid isPermaLink="false">http://www.thedramateacher.com/?p=1815#comment-29142</guid>
		<description>The set they used in Norway was period, wicker furniture, throw rugs... with the added stylized element of 2 giant fake piles of books obviously made out of cardboard, sort of colored silver and black, on wheels - so they were moved around a few times to transition between acts. They were at the far back of the stage and gave a sort of cartoonish effect to the set, but piled on top of them were real books which were taken up and thrown around by Tyrone at one point in Act 3 (I think - they didn&#039;t divide the play into its traditional 4 acts). I liked the set, but it didn&#039;t leave anything to the imagination. I did not like that they had the &quot;window&quot; facing the audience, so that when the actors were supposed to be looking out the window they were looking out over the audience, which made it seem like they weren&#039;t looking out of a window at all to me. But it was a superb performance by all 4 actors. There were 576 people in the audience, and my 9 students got to be the ones to go backstage and meet the cast. Brilliant!</description>
		<content:encoded><![CDATA[<p>The set they used in Norway was period, wicker furniture, throw rugs&#8230; with the added stylized element of 2 giant fake piles of books obviously made out of cardboard, sort of colored silver and black, on wheels &#8211; so they were moved around a few times to transition between acts. They were at the far back of the stage and gave a sort of cartoonish effect to the set, but piled on top of them were real books which were taken up and thrown around by Tyrone at one point in Act 3 (I think &#8211; they didn&#8217;t divide the play into its traditional 4 acts). I liked the set, but it didn&#8217;t leave anything to the imagination. I did not like that they had the &#8220;window&#8221; facing the audience, so that when the actors were supposed to be looking out the window they were looking out over the audience, which made it seem like they weren&#8217;t looking out of a window at all to me. But it was a superb performance by all 4 actors. There were 576 people in the audience, and my 9 students got to be the ones to go backstage and meet the cast. Brilliant!</p>
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		<title>By: babu</title>
		<link>http://www.thedramateacher.com/long-days-journey-into-night-review/comment-page-1/#comment-28990</link>
		<dc:creator>babu</dc:creator>
		<pubDate>Thu, 28 Oct 2010 06:05:18 +0000</pubDate>
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		<description>These play is based on the blending of naturalism and expressionism.</description>
		<content:encoded><![CDATA[<p>These play is based on the blending of naturalism and expressionism.</p>
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		<title>By: Justin Cash</title>
		<link>http://www.thedramateacher.com/long-days-journey-into-night-review/comment-page-1/#comment-27560</link>
		<dc:creator>Justin Cash</dc:creator>
		<pubDate>Fri, 15 Oct 2010 06:17:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.thedramateacher.com/?p=1815#comment-27560</guid>
		<description>Rasma,

Do let us know what the Norwegian production&#039;s set for Long Day&#039;s Journey Into Night looks like. I&#039;d particularly like to hear if it is a naturalistic set design? By the way, I fell in love with Norway when I went there for an international Drama/Theatre in education conference back in 2001. Spent most of my time in Bergen. What a beautiful country!

Justin</description>
		<content:encoded><![CDATA[<p>Rasma,</p>
<p>Do let us know what the Norwegian production&#8217;s set for Long Day&#8217;s Journey Into Night looks like. I&#8217;d particularly like to hear if it is a naturalistic set design? By the way, I fell in love with Norway when I went there for an international Drama/Theatre in education conference back in 2001. Spent most of my time in Bergen. What a beautiful country!</p>
<p>Justin</p>
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		<title>By: Rasma Haidri Sjøvoll</title>
		<link>http://www.thedramateacher.com/long-days-journey-into-night-review/comment-page-1/#comment-27228</link>
		<dc:creator>Rasma Haidri Sjøvoll</dc:creator>
		<pubDate>Tue, 12 Oct 2010 09:35:53 +0000</pubDate>
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		<description>Thank you for this very interesting review. My class of advanced English lit is reading the play and we will be seeing a Norwegian performance with Liv Ulman. I will share your review with the class when we talk about set design and see what the Norwegian National Theatre comes up with as a set. William Hurt should be ashamed of himself!</description>
		<content:encoded><![CDATA[<p>Thank you for this very interesting review. My class of advanced English lit is reading the play and we will be seeing a Norwegian performance with Liv Ulman. I will share your review with the class when we talk about set design and see what the Norwegian National Theatre comes up with as a set. William Hurt should be ashamed of himself!</p>
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		<title>By: Sara Campbell</title>
		<link>http://www.thedramateacher.com/long-days-journey-into-night-review/comment-page-1/#comment-22756</link>
		<dc:creator>Sara Campbell</dc:creator>
		<pubDate>Sun, 25 Jul 2010 12:10:06 +0000</pubDate>
		<guid isPermaLink="false">http://www.thedramateacher.com/?p=1815#comment-22756</guid>
		<description>Absolutely spot on. A very perceptive review. A long and tedious production during which I was one of those in audience who had trouble keeping awake!</description>
		<content:encoded><![CDATA[<p>Absolutely spot on. A very perceptive review. A long and tedious production during which I was one of those in audience who had trouble keeping awake!</p>
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