The Drama Teacher

Writings and Resources For Those Who Love Teaching Drama

14/10/06

Drama Australia Conference Workshop

Several members of the Drama Victoria committee of management (myself included) recently presented a workshop at the annual Drama Australia conference, held at the National Institute of Dramatic Art in Sydney.

The worskhop was based on playbuilding, adhering to the conference theme Turning The Tides, and threw in a bit of recent technology (blogging) for good measure. Conference sub-themes included
  • Precious water - drama as essential learning
  • Into the sea of discovery - new ideas and landscapes
  • Reflections on practice... tales of lifesavers, adventurers and drought busters
  • Against the tide - changing patterns, currents and practices through drama
  • Surfing the imagination in digital seas - drama and immersion
  • Safe harbours - strengthening communities through dramatic processes
The workshop involved participants creating a ship using the technique of silent negotiation. Then some of the challenges the ship and its crew faced were brainstormed. Still images of these challenges (eg. storm, mutiny) were then created by group members using the technique overheard conversations. A vocal collage of various characters' experiences on the ship were then created (with background music). Finally, scenes were developed and then performed together at the end of the workshop:

Departure (in the style of a documentary)
Voyage (using movement and sound)
End of journey (surreal/dream-like)

While all this was happening, at 20 minute intervals during the first hour, one-third of the group was taken out of the workshop room at a time and introduced to the value of blogging performance-making experiences in the Drama classroom on the Vineblogs website. Blogs on the web can be a fantastic reflective tool in Drama and in many cases can replace the traditional classroom journal in this subject.

The workshop structure can be found on this blog and is a worthwhile activity to undertake with your own Drama students. Check out the Vineblogs website while your there by perusing some of the other performance-making blogs. The site is only in its infancy and is already a friendly drama community of teachers and students at al levels of eduction, mostly from around Melbourne, Australia. We'd love some more teachers and their Drama/Theatre students to join the site with new blogs from other parts of Australia and the world. It's all free, easy to use and you can be blogging in only a couple of minutes! Blog on and tell us where you're from!

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6/09/06

Epic Theatre Podcast?

If I make a podcast in the form of a downloadable audio mp3 file on Brecht's Epic Theatre for senior Drama students and teachers, would anyone be interested in listening to/using this with their classes???

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31/07/06

Rethinking The Virtual Classroom

The Virtual Classroom:
Rethinking the Role of Teaching and Learning.
Professor Nicholas Burbules
Professor of Educational Policy
University of Illinois at Urbana Champagne

Public Lecture
Thursday 27th July

Last Thursday I attended a free public lecture by visiting American professor Nicholas Burbules, from the University of Illinois.

Burbules argues as educators, we are misunderstanding technology as a tool. We should think less of technology as a delivery system (of online lesson content) in education and more as a place for our students to learn; a social classroom where relationships are built and nurtured.

He also challenges our traditional notion of a 'virtual classroom'. Of course, 'virtual' , means 'being something in effect, even if not in reality' and we tend to associate the virtual classroom with Internet technologies. But Burbules argues the virtual is NOT dependant on the technology and being in a virtual classroom does NOT always mean being online.

Burbules says the 'virtual' IS real (not almost real) if the circumstances are right. He offers the example of online gamers who often play multi-user games on the Internet deep into the night with hundreds of players from across the globe. To some of these participants who play many hours each day, their 'virtual' gaming world is real. It is a world that is most important and means something to them. Their virtual experiences online are real experiences.

Therefore, what is important about the technology is being immersed in the experience as if it were real. In the (recent) past, I have been an avid PlayStation 2 gamer. Over the years, there have been many times after several hours of playing in a virtual world, the experience seems so real it is scary and often it takes some time to 'adjust' back to your 'actual' world because the gaming experience was so 'real'.

Burbules illustrates examples of virtual experiences that are not connected to technology. For instance, the image in our head of a character's face when reading a novel or the audience at a film that leans to the left to follow the onscreen character peering over another's shoulder. It reminds me of a night at the theatre some years ago. At a Melbourne Theatre Company production of Henrik Ibsen's A Doll's House there was a scene where Nora's footsteps are heard by the onstage characters, as she dances the Tarantella upstairs.

Well, 'upstairs' didn't exist of course. It was a virtual place. But to an audience completely immersed in the drama, 'upstairs' was very real. I glanced sideways in the darkness of the theatre only to see many in the audience tilt their head skyward to 'see' Nora dancing 'upstairs' as the onstage characters were making references to her being there. These people were actually looking at a row of lighting bars and stage lanterns, but to them, the experience of seeing Nora was real. They were engaged.

So what makes virtual experiences virtual?
  • interest
  • involvement
  • imagination
  • interaction
In summary, the experience has to be interesting for us, involve us in some way, allow us to use our imagination and offer us an opportunity to interact with it, and others around us as well.

Surely these four factors (the 4 I's) are the underlying ingredients behind the continuing success of the computer gaming industry. For the sceptics out there who think computer games have no place in our society, the people think otherwise. There is now enough statisitical data to prove the worldwide computer gaming industry is bigger than the film industry, in terms of annual revenue.

And so, Burbules argues that interest, involvement, imagination and interaction should also be our design principles in education. As teachers, we should be asking ourselves 'how can I make this learning experience meet these needs for my students?'. We should be exploiting these principles for the purposes of education.

No arguments here. The first thing I say to all my student teachers on their first day with me is that if they can't engage the students in the classroom, then they may as well pack their bags and go home now. Students are engaged through making the learning experience interesting, being allowed to use their imagination and interacting with the learning matter itself and others in the classroom.

Burbules says we should find a learning model in our classrooms where immersion takes place and uses exploration, problem solving and choice more often. He went back to the web for examples. Ever put a simple search query into Google and 45 minutes later found yourself on the dark side of the web, completely lost? The web is called the web for a reason! The web, Burbules reminds us, is a complex environment. When navigating the web, we follow links, move around, make connections and go on a journey. When all goes well, we are making patterns of meaningful connections. But the first few times you navigated the web, it was a little scary, yes?

And so it is with education. Our students often find navigating their way around complex learning environments, daunting. They need a road map to assist them. But not any old road map. They need the RIGHT road map. Unfortunately, too often the teacher thinks this road map is the their road map. Wrong! Burbules argues we need to consider that the best road map for our students is often the student's road map, not the teacher's.

Our teaching design of a virtual place in the standard classroom should carefully consider
  • mobility
  • social interation
  • public vs private
  • intrusion vs exclusion
As a metaphor for our educational design, Burbules offered examples of public buildings and spaces, often very formal and rigid. Alternatively, there is the design of your lounge room furniture at home; no doubt more private and informal than the furniture in a city museum complex.

Burbules says we must intentionally create a learning environment where movement can take place; an environment that caters for mobility and choice amongst our students. Where possible, as educators we should anticipate how our participants will use that space. But at the same time, we should also leave open the element of surprise and be flexible enough to allow our students to sometimes navigate their own way through this learning environment. While this may be very different to the path the teacher may take, the student 'road map' is at least a method of navigation that is engaging for the students, because they are the ones creating it.

Burbules says this notion of mobility is at the very heart of learning. Our students need to find their way around complex subject matter and be able to do things in education that are important to them. It is here that Burbules indicates the importance of social learning and the concept that our students must be a part of a social network.

Being a high school Drama teacher, I could safely say I am well versed in the advantages of students belonging to a social framework in the classroom. As one of the most 'social' subjects on any school curriculum, Drama encourages and reinforces the benefits in education of collaborative problem solving and teamwork in both simple and complex learning spaces. This social dimension is crucial in creating interaction and engagement amongst our students.

Out of the standard classroom and into the traditional virtual classroom, I have always encouraged a social, collaborative nature in my 'room' when working with Drama students using Internet technologies. E-learning platforms such as Moodle cater for this wonderfully. But everyday forums and blogs also encourage collegiality and interaction that actively immerse and engage students in the learning process.

As teachers, Burbules says we must rethink the 'virtual' as an educational concept, and whether online or in the regular classroom, design a learning model that caters for student interest, involvement, imagination and interaction. Only then will our students have the best possible opportunity of being fully engaged in their learning.

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11/07/06

Solo Performance Podcast

Well, this is my first attempt at podcasting! I've developed a 16 minute podcast for students and teachers on how to create a solo performance in a high school Drama or Theatre class.

I have created this for use with my current Year 10 Drama students, as part of my Master of Education project at the University of Melbourne. I am examining whether various new and emerging online technologies can benefit our Drama students? So here it is to share.

This podcast covers:
  • how to create a solo performance
  • various construction techniques used to aid character development
  • are multiple characters acceptable in a solo performance?
  • to whom do I perform to?
  • what are imagined characters?
  • the necessary ingredients of a solo performance plot
  • the open ended solo performance
  • the historical solo performance
  • the structured solo performance
Now be easy on me! It's just a start. I've gottta crawl with this podcasting thing before I can run with it. I do hope it will benefit you and your students. I'd love to hear your feedback. Post a comment below.

Solo Performance Podcast

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13/06/06

Music Blog Update

Justin's Music Blog now has the latest CD reviews!

Check them out.

Edit: This above website link is now dead. The old music website has now been incorporated into a new project, Justin's Music Links.

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6/04/06

Vineblogs

Time to promote a great new educational blog for Drama/Theatre students and their teachers!

Vineblogs was the idea of Jo Raphael (lectuer in drama education at Deakin University, Melbourne) and Helen Sandercoe and is otherwise known as The Vine Project. With the gracious assistance of James Farmer (edublog specialist) and the support of both Drama Australia and Drama Victoria, this new and exciting blog site has only been active for about ten days now, but already we have many Drama students and teachers happily blogging away!

The original idea of the project was to restrict the blogging to students creating drama performances using the theme of the 2007 World Drama Congress: planting ideas ... with our thoughts, we make the world. And so a few schools agreed to be involved, namely Avila College (my school), Mount Waverley Secondary College and Yarra Valley Grammar (all from Melbourne). These schools have created ensemble performance structures for their current Year 12 students based on this theme and currently have students blogging about their projects. But now Vineblogs has expanded it's brief to include anyone who wishes to blog about their drama experiences.

On Vineblogs you will see individual teacher blogs and group student blogs (where members post on the one blog). Blogging is a wonderful way to integrate technology in drama studies and allow students to journal their process of performance online. In the past week or so, I have watched my students get a thrill out of publishing their thoughts on the web and at the same time enjoy seeing others comment on their posts. Teachers should not be exempt from this process and are also encouraged to join their students and chronicle a performance project from an educator's perspective.

Of course, there are some differences popping a drama journal online in the form of a blog. It's public! So students have to be wary of their audience and not reveal personal information or 'sledge' other people in their class etc. Teachers should also be wary of one of the benefits of blogging, which is publishing images instantly to the blog. These could be of students in rehearsal etc, but be mindful of various permissions which may be required before publishing images of students online.

Well, Vineblogs is completely free and easy, too. If you're not too comfortable with technology, there are great tutorials on the Vineblogs homepage. I moderate this particular blog site because I am a firm believer in the benefits of blogging for Drama/Theatre sutdents. So, if you're interested, why not check out the site and email me if you need help or have any questions about the project and how to get involved.

You can publish a blog on Vineblogs instantly via email verification. You can be involved with your drama/theatre students at any level doing any performance project worth blogging (solo, ensemble or scripted play). Come on, join us! It's fun, educational and your students will love it! Although based in Melbourne, Australia, we'd especially love to see drama students and teachers from interstate or overseas in other countries blog with us on the site, too!

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10/02/06

Moodle It!

Who's heard of Moodle (homepage)?

If you want to incorporate online technologies in your Drama program (or any other subject, for that matter), then Moodle (explanation, history etc.) is for you!

Don't stress, even if you're a self-confessed technophobe, this baby is easy to understand.

And no. Age is no barrier. It's never too late to learn. In fact, the older you are, the more respect you'll probably earn from your students for trying out technology with them.

Moodle is basically an online e-learning program (website) with a database hidden behind it that stores teacher and student information. In Moodle, students and teachers log on with a password and activities include forum postings, chat room conferencing, assignment postings, lesson content online, puzzles, glossaries, wikis (where students collectively edit posted information in real time) and workshops where students offer peer assessment of each other's material. Added features include calendars for upcoming events and of course, the ability to link to other documents on the web.

The easiest way to get started is to check out the link to Moodle above, pass the information on to the technology gurus/techs at your educational institution and ask them to download and install the latest version on the school's Internet server. From there, start playing with it and in on time you'll have an online supported Drama course up and running. Best of all, your students will love it!

Moodle is open source software, which means it is a non-commerical product, totally free to use and can be modified to suit your needs, if you know how. There are a few other programs out there similar to Moodle, but Moodle is easy to use and besides, I'm biased, as Moodle was developed by Australian Martin Dougiamis in 1999.

I read an article a week ago in the New York Times that clearly explained that students, teachers and parents who do not embrace technology today wherever possible, will be left behind very, very quickly.

Most important is the ability to experiment with new and emerging technologies. 7th graders are doing podcasts, classes are messing with online blogs all over the world and having the ability to do a PowerPoint presentation is now considered as difficult as opening a Microsoft Word document! So technology is not getting harder, it's just getting better and more interesting.

My current goal is to teach myself how to do an online blog and a podcast. I'd been avoiding the blog for a few months and a week ago it took me five minutes to set it up on Blogger and fifteen minutes later I'd published my first post on the blog you are reading now. That easy. No special knowledge of technology required. A wizard took me through a few simple steps and within no time the blog was a happenin' thing!

So if you teach Drama, what's wrong with using a blog as a replacement for a paper Drama journal? Whether it be at regular intervals or just for a small time during a special performance project, students can use the blog as their reflective tool. Information is never lost. Online servers back up stored information daily behind the scenes. It's better than the old version of a Drama journal, surely?

As for podcasts ... not that hard, but a tiny bit more time and effort is involved than setting up a blog. When I've mastered podcasting in a few weeks time, I'll throw up a post on how to use podcasts with your students in Drama as well.

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