Just thought I’d post a comprehensive guide to blogging for Drama and Theatre teachers and students, using the popular WordPress platform. I distributed this guide to a small group of people as part of a presentation I gave at the Drama Australia Conference in November 2009, but posting it here on The Drama Teacher will allow more people to use it.

I highly encourage student blogging in Drama. These days, I have replaced the traditional drama journal or paper workbook in my senior Drama classes with online blogs. Under my direction, my students maintain blogs for short periods – just for the duration of a performance project. Individual blogs are kept during the development of solo and monologue performances, while small group blogs are kept during the rehearsal period of ensemble performances and plays.

The following guide covers technical aspects on how to set up a free WordPress blog on the web, suggestions for how students can use blogs in a drama or theatre program at school and tips on how to make a blog public only to those who know the web address, while keeping it blocked by search engines to protect students’ privacy. The guide is too long to post in full, so instead you can download it as a 6-page pdf below.

Any comments or feedback on the guide are welcome.

 

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Happy Birthday to The Drama Teacher, even if i say so, myself :-)

This humble little blog began in February 2006 on the Blogger platform. A little over two years later, I moved everything over to WordPress. Along the way, readers have survived my impatience changing the themes (skins) on this blog a bit too often (sorry).

But most importantly, 4 years on we have a dedicated Drama community reading and adding comments to The Drama Teacher on a regular basis. It’s home will always proudly be Melbourne, Australia, but the essence of Drama and Theatre teaching has commonalities the world over, making the content of this blog relevant to us all.

The Drama Teacher is likely to remain a passionate, but part-time interest for me. If I weren’t teaching Drama full-time on weekdays during the academic year, I’d have little to post on this blog, so it all makes sense.

I’ll continue to post about theatre styles, education issues, industry news, acting and more, as often as I can through 2010. I’m interested if there are areas you would like me to cover more often on this blog. Post a comment and let me know.

I won’t forget to regularly post about the joys of our wonderful profession. After all, I’m sure you’d agree Drama teaching is the best job in the world. If I had my time all over again, I wouldn’t change a thing.

Thanks for being a part of The Drama Teacher so far. I look forward to your continued support in the future.

Justin Cash

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Below is one half of a major ensemble assessment performance I have offered my Year 12 Drama class this year.

Seven members of the class will research, script and rehearse key events leading up to, including and after the 1986 Challenger Space Shuttle disaster. Several scenes are prescribed in the task, but many additional scenes will be added by the group.

The other seven members of the class will do the same with the 2003 Columbia Space Shuttle Disaster, with both performances occurring on the same night.

Feel free to borrow or adapt this ensemble task for use with your own students if you wish.

Challenger Space Shuttle Disaster

Setting
America

Performance Style
Non-naturalism, with aspects of Epic Theatre and Theatre of Cruelty.

Theatrical Conventions
Transformation of character, place and object, disjointed time sequences, pathos.

Stagecraft Elements
Props, costume, multimedia.

Dramatic Elements
Tension, language, contrast.

Background
On January 28, 1986, the NASA Space Shuttle Challenger disintegrated 73 seconds after lift-off at the Kennedy Space Center, Florida. All seven crewmembers were killed.

The official cause of the accident was the failure of two o-ring seals at the joint between the right Solid Rocket Booster and the external fuel tank. This resulted in pressurised gases escaping from the rocket booster and subsequently igniting, before penetrating the fuel tank, itself.

Millions of American schoolchildren watched the launch live in their classrooms on NASA TV, as the first teacher in space was aboard the aircraft. NASA’s space shuttle program was immediately suspended for 32 months following the incident to allow for official investigations as to the cause of the accident.

It appeared the Challenger incident was a horrible catastrophe no one could possibly have predicted. But was it really an accident just waiting to happen? Could one of the worst disasters in the history of space flight have been avoided?

Plot
One or more scenes should be performed out of chronological order to address the theatrical convention of disjointed time sequences. The following information should be represented in the performance. Additional information may be performed, as appropriate.

  • NASA’s knowledge of the o-ring as a flawed design
  • NASA’s flight scheduling and delayed Challenger launches
  • The low temperature on the morning of launch
  • NASA’s safety procedures
  • NASA’s organisational culture, including decision-making processes
  • Contractor Morton Thiokol and their reporting procedures to NASA
  • The loss of Challenger on January 28, 1986
  • President Reagan’s Address To The Nation concerning Challenger
  • The Rogers Commission investigation into the Challenger disaster
  • The US House Committee Hearings on the Challenger disaster
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