Justin Cash

 

Well, most of this blog is about information and resources for effective Drama teaching, but I thought I’d post a few tips on how to ensure your students achieve beyond the expectations of everyone.

Learning Must Be Fun: Let’s face it, school isn’t exactly a bundle of laughs for many teenagers, so on the top of my priority list for effective Drama teaching is make sure as many of your lessons and activities as possible are fun for your students. While you’re at it, remind yourself that if you don’t make learning fun, you’ve lost half the class … instantly. I even take a risk and tell my students at the start of a course that one of my responsibilities is to ensure their learning in Drama will be fun for them and that they are encouraged to tell me whenever the fun has stopped!

Keep Your Students Engaged: I never stop asking my students what they’re into, no matter what year level. While my enquiries are genuine, it also enables me to stay young and by knowing what’s cool at the moment, I can always use this to my advantage to adapt a future exercise, drama game or activity, so my students remain engaged in Drama. These enquiries allow me to tailor ensemble performance topics to their interests etc. Being critical of your own teaching has its advantages, too. Mix it up a little and never get stale with your delivery, so your students keep engaged.

Know Your Students Well: I always make an effort to get to know my students, ask what bands their into, genres of music, films etc. Particularly if they are senior students. Always keep professional boundaries very clear. Never try to win students over by pretending to be their friend. You’re their teacher. But good teachers care for their students beyond the textbook and the classroom.

Set Clear Guidelines and Expectations: I set my expectations in the very first lesson of a Drama course, to avoid any confusion later on. I’ve blogged on The Drama Teacher before, that I will not accept laziness and lying (to the teacher) in my classroom. I make no apologies for it. I set my student expectations high at the beginning and spend most of my Drama courses encouraging (daring?) my students to see what they are capable of in Drama.

Ensure Everyone Respects Each other. Every Drama course I teach, at any level, begins with an agreement that my students firstly respect themselves, secondly respect other students in the class and thirdly respect me as their teacher. In return I tell them I will respect them all by default each time they enter my classroom. I ask students to respect why other students have elected to do this Drama course and to respect those that are less confident than themselves. This results in a warm atmosphere where less confident or able students are more prepared to take risks in performance work before their peers. I cannot emphasise enough the importance of respect in the Drama classroom.

Know Your Content. You can’t be a whiz in Drama teaching overnight. It takes time. Although I have blogged here before that in my opinion knowledge is not necessarily king in the Drama classroom, knowing your content certainly can’t go astray. Once you have gained much knowledge, two more things become important: firstly, remember we never stop learning and secondly, never be afraid to learn from a student. It empowers them and they respect you more as a teacher in return. Never pretend to know all the answers in front of your students.

90% Perspiration and 10% Inspiration. I’m sure many of you may have heard of this old adage. It’s true in Drama teaching, too. The most creative students you’ve ever seen in a Drama classroom will be useless if they are not prepared to put in the hard yards. I remind my students all the time, they have to be prepared to perspire if they want to achieve their own personal goals in Drama.

Keep Ownership with Your Students. When a school play or musical is a huge success, when an in-class Drama performance was fantastic, when your students performed beyond their wildest dreams … always keep the ownership with them, not you. While it may be true that you directed the musical, guided them in their class performance, or helped them every second step of the way, I always try to remind my students that the wonderful product they created belongs to them. This is when they smile and become very proud, but more importantly, realise what they are truly capable of in Drama. Encouragement and positive feedback will always return far bigger dividends than you ever expected in a discipline such as Drama.

Whether it is an A+ or a C, there’s nothing more satisfying than a Drama student being rewarded with a grade beyond what they believed they were capable of. Using these tips, above, has worked wonders for me over the years. I hope they work for you, too.

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Jan 312010
 

If you love searching the web for theatre news across the globe like myself, then you may be interested in these few sites. Keep in mind, this is just Part 1 in a series of posts on great theatre websites on the Internet.

The New York Times Well, the New York Times is not only the biggest newspaper in the world, but it also has the most comprehensive theatre section of any online newspaper. Hell, just the fact that it has a theatre section is a wonderful thing! Understandably, information is Broadway-centric, with intellectual theatre reviews, image slideshows, interviews with theatre practitioners from directors to actors and more, industry buzz (what’s hot and what’s not) and videos. Target demographic: the adult theatre connoisseur.

Playbill.com Yep, that company that produces your theatre programs and other merchandise has been around since 1884 and on the web since the early days of 1994. The Playbill website is jam-packed with industry news focusing on Broadway, but also with sections for regional US and International theatre. You can get the latest theatre listings, Broadway box office grosses, industry casting information, interviews with actors, celebrities and playwrights. You can also purchase Broadway theatre tickets at Playbill, check out multimedia galleries or purchase from arguably the largest theatre merchandise store on the web … now open for non-US visitors as well. You’ll find everything from key rings and t-shirts to coffee mugs and posters available at the Playbill store for a wide range of Broadway musicals and plays.

Guardian.co.uk The Guardian’s online culture section is a rich source of information for UK theatre, from large West End productions to small Edinburgh Fringe monologues. What I love about this site is the prominence of multimedia, with plenty of image galleries and videos of theatre news stories and interviews. You can find hundreds of theatre reviews, industry buzz, behind the scenes news and a comprehensive back-catalogue of theatre-related articles at the Guardian.

Part 2 coming soon….

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The 1996 revival of Chicago has just become the 6th longest running show in Broadway history.

Understandably, there’s barely a theatre enthusiast on the planet who wouldn’t recognise most or all of the show titles on Broadway’s Top 10 list.

Such is the timeless appeal of the Broadway musical, there are no plays on the list. Yet, they’re not all musicals, either. Nine of Broadway’s longest running shows may well be musicals, but Oh, Calcutta! was a revue.

The black sheep on Broadway’s biggest list, Oh, Calcutta! originally opened off-Broadway in 1969. But it was the revival on Broadway some years later that show stomped it into becoming one of the longest running productions in history. From 1976 to 1989, the Oh, Calcutta! revival ran for nearly 6,000 performances at the Edison Theatre. The show also holds claim to fame as the only risque theatrical production on the list, as it’s plot involved several extended nude scenes. The rest of the shows on the list are definitely more tame than Oh, Calcutta!

1. * The Phantom of the Opera (9,133 perf)
2. Cats (7,485 perf)
3. Les Miserables (6,680 perf)
4. A Chorus Line (6,137 perf)
5. Oh! Calcutta (5,959 perf)
6. * CHICAGO (5,462 perf)
7. Beauty and the Beast (5,461 perf)
8. Rent (5,124 perf)
9. * The Lion King (5,078 perf)
10. Miss Saigon (4,097 perf)

* still running. Source: broadwayworld.com.

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